Pink Floyd Relics



Following the chart success of Atom Heart Mother, EMI's budget subsidiary Starline released a compilation of early singles, album tracks and otherwise unreleased music called Relics, A Bizarre Collection of Antiques and Curios.

The original U.K. cover design was a pen and ink sketch by Nick Mason. The U.S. album cover, an antique looking 4-eyed bottle opener, was designed by David Coleman. The remastered LP was delicately shaded in pink. The Australian cover consisted of rare coins. And the CD version has a model ship made by Model Solutions, of Nick Mason's original design.

Relics Cover Art

EMI Australia briefly released Relics on CD. This occurred without the bands consent and was rapidly withdrawn.

The Japanese version of Relics contained a gatefold sleeve of Nick Mason's drawing.

A unique collectors item of the 4 eyed bottle openers found on the US version of the Relics album cover is highly prized by Floydians around the world.

Relics Bottle Openers

Not counting A Nice Pair (which still does not exist as such), Relics was the last of the official Pink Floyd albums to make it to Compact Disc format.

The songs on Relics, spanned over Pink Floyd's first 3 albums and their earlier singles. Depending upon where in the world you had purchased your LP of Piper At The Gates Of Dawn you would get either See Emily Play or Bike on the album. With the release of Relics both of these songs would now be available, for the first time to fans, on one LP.




Arnold Layne

Arnold Layne found on Relics  Arnold Layne found on Works  Arnold Layne found on Shine On Early Singles Arnold Layne found on the 3 Single Sampler

Arnold Layne was originally recorded at the Whitehead demo sessions in January 1967. A month later it was re-recorded at Sound Techniques with producer Joe Boyd. Arnold Layne (along with Candy and a Currant Bun) was broadcast from a live session at BBC Playhouse, London, April 1967. As the bands first single, Arnold Layne reached #28 on the UK charts. Arnold Layne Single



Interstellar Overdrive

Intersteller Over drive found on Piper At The Gates Of Dawn  Intersteller Over drive found on Relics  Intersteller Over drive found on A Nice Pair  Intersteller Over drive found on London '66/'67

Interstellar Overdrive was recorded at Marida Vale Studios, and broadcast in December 1968. The early riff of Interstellar Overdrive eventually turned into a lengthy improvisational passage and this version turned up later on the soundtrack for Tonight Let's All Make Love in London. 9 minutes of the track was used throughout the movie. The Labyrinth Of Auximenes from The Man and a Journey was formed of the mid-section from Interstellar Overdrive . Intersteller Overdrive single



See Emily Play

See Emily Play found on the US version of Piper At The Gates Of Dawn  See Emily Play found on Relics  See Emily Play found on Works  See Emily Play found on Shine On Early Single  See Emily Play found on the 3 Early Singles

See Emily Play was recorded at the same time as the Piper At The Gates Of Dawn album. An early version of the song was called Games For May. See Emily Play was promoted with three appearances on Top Of The Pops. Later all three master tapes were erased by the BBC in the 1980's when the storage space was needed for other programs. A visitor to the recording sessions was Barrett's old friend from Cambridge, David Gilmour, who would later replace Barrett in the band. See Emily Play single



Remember A Day

Remember A Day found on A Sauserfull of Secrets  Remember A Day found on Relics  Remember A Day found on A Nice Pair  Remember A Day found on Early Singles Shine On

Remember A Day was written by Richard Wright, it is reminiscent of the simplicity of childhood. Originally recorded for the Piper At The Gates Of Dawn album, with Syd Barrett on the guitar, the recording was later finished after Syd's departure and was released on A Saucerful of Secrets album. There is no known live performance of this song.



Paintbox

Paintbox found on Relics  Paintbox found on Early Singles Shine On

Paintbox debuted as a single on the B-side of the Apples and Oranges Single. Paintbox was an early commentary on the music business - a theme which Pink Floyd would soon come back to in Cymbaline and years later on the Wish You Were Here Album album. Apples And Oranges/Paintbox Single



Julia Dream

Julia Dream found on Relics  Julia Dream found on Early Single Shine On

Julia Dream, Pink Floyd's fourth single, had a working title of Doreen's Dream. This song was the first Pink Floyd arrangement to be recorded with David Gilmour on guitar and the first to feature his vocals. Julia Dream was recorded at Piccadilly Studios, and first broadcast in August 1968. It Would Be So NIce/Julia Dream Single Single



Careful With That Axe, Eugene

Careful With That Axe, Eugene found on Ummagumma  Careful With That Axe, Eugene found on Relics  Careful With That Axe, Eugene found on Shine On Early Singel

Careful With That Axe, Eugene was first recorded for the June 1968 BBC Sessions. An early name for the song was Murderistic Woman, later it was called Keep Smiling People. It also made appearances under the name Beset By Creatures of the Deep, part of The Man and The Journey. Careful With That Axe, Eugene was first broadcast live with its present title from Paris Cinema, London, December 1968. It first appeared on vinyl as a B-side to Pink Floyd's fifth single Point Me At The Sky. Then it was recorded again in May of 1969 for the Ummagumma album. Dropped from the live set in October 1973, Axe was resurrected for an unexpected, concert encore in Oakland, California in May 1977. Point Me At The Sky/Careful With That Axe, Eugene single



Cirrus Minor

Cirrus Minor found on More  Cirrus Minor found on Relics

Cirrus Minor, taken from the More soundtrack, was named after a type of cloud formation. This song opens with a library recording of bird song, descriptively labelled Dawns Chorus. Followed by Rick Wright's over-dubbed Hammond and Fafisa organ tracks and a few gentle vocal lines by David Gilmour. A recording of this song was featured in a BBC Radio Three documentary Laying Down Tracks.



The Nile Song

The Nile Song found on More  The Nile Song found on Relics

The Nile Song penned by Roger Waters for the More soundtrack, was Pink Floyd's debut into the realm of heavy metal which featured David Gilmour shouted vocals. Its strength impressed sufficiently to warrant a release as a single in Europe (but not the UK) Japan and New Zealand. Nile Song Single



Biding My Time

Biding My Time found on Relics

Biding My Time was an unreleased Waters composition, only ever played live as Rest in The Man-The Journey suite. Biding My Time also featured Roger Waters on the trumpet.Biding My Time was the original working title of the Roger Waters solo album Amused to Death Amused to Death



Bike

Bike found on Piper At The Gates Of Dawn  Bike found on Relics  Bike found on A Nice Pair

Bike was written by Syd Barrett for his girlfriend at the time, Jenny Spires. There has been no known live recording of Bike. Bike was included on the UK release of Piper At The Gates of Dawn, but was not released on the US version of the same album.



Relics
"When we began the 'all purpose Pink Floyd CD repackage make over programme' in '93, it seemed only fitting to 'remaster' the designs to accompany the remastered music. For example Dark Side's prism graphic was 'remastered', or refined, as a proper photograph. But how could we remaster 'Relics', which was originally a quirky line drawing by Nick Mason. We couldn't clean up the lines (they were already clean). Couldn't redraw it, or it wouldn't be what it was.

We had recently met John Robertson, sculptor and model maker, who had constructed the metal heads for 'Division Bell'. We pondered the feasibility of turning Nick's drawing into a model, an object, a 3D sculpture. The drawing was after all a thing-a weird and wonderful thing-but a thing nonetheless.

Being as faithful as possible to both the original intent and the actual shape and proportions, texture and fittings, we set about building a wooden model. This was conceived in the manner of those large, incredibly detailed, models of boats, yachts and steamers, which sit in the foyer of shipping companies and yacht clubs gathering dust.

So that's what we did, and that's what Tony (May) photographed. Jon Crossland designed the graphics. And the model, much like its natural, realistic counterparts, sits appropriately enough in the offices of Nick Mason. That's Nick Mason RN to you." -Storm Thorgerson